Sunday, September 22, 2013

Short Story Time!*

*Because I'm in a novel-rut/I haven't had time to write anything except for tacking sentences onto a story that has been lying on my on desktop since last year.

And so you have it :) The title has yet to be finalized (in fact, please let me know which one of the two--or if you have a completely different suggestion--you prefer when you are done). I'll be posting this in a few chunks, probably 3-4, because the entire thing ended up clocking in at 3.9k. I also wouldn't dare to call myself an awesome short story writer because while I used to write predominately in that category, of the late noveling has stolen my energies. Okay, enough talking! Enjoy!


The Dealers of Justice/The Procession

The witnesses stood around in a broken egg-shaped circle, mouths agape, brown skirt hems and muddy trouser bottoms swaying. An old woman’s cap flew off her head and landed on the tall grass several feet away. The wispy cloud of white atop her scalp quivered in the wind.
She could have run. She could have easily pushed the woman aside and burst out from the circle. She could have run—and she would have gotten far. Instead she stood, boots planted shoulder-width apart. For the longest time, the only sound came from the gale as it skimmed over the blades of glass.
Then the baby started to cry. It struggled in her arms, grabbing at the air. So she walked up to a rotund lady with a kind face and deposited the bundle into her arms.
“Her name is Rowan.”
The lady with the baby opened her mouth as if to call the mother back, but no words came out.
She walked to the opening in the broken circle. The tall grass pressing against her knees and skirt flying back behind her, it seemed then that she might make one last dash for it.
But the men came dressed in uniform, and she went without a fight.
***
There were specific consequences for specific wrongdoings, all dictated by necessity. The lowly thief paid for his crime in coins. The rambunctious assaulter paid for his crime in freedom. Likewise, the sly murderer paid for his crime in blood.
Origin of the system was an unquestioned mystery, though all knew that it did not stem from an eye for an eye nature. Some said that the creator of the code found distasteful the visceral, direct retaliation of the involved parties. Some said that the creator desired a law unique to his name. Regardless of theories, the process remained constant. After being read the accusation and the penalty, the convicted would be led to the center of the land. The journey could last anywhere from an hour to a month. Watching the procession was a pastime, and people would crowd into the square to see its culmination.
Those carrying it out were the agents of justice. They felt the responsibility dully yet pressingly, like a knife-wound that throbbed with numbness. At least, they told themselves that, they the impassive ones. They were the men who had come to collect the girl. Not really men, despite their uniform and rifles slung across their backs. Not really men (their faces, clean shaven for those who could shave, were soft and whole).
If they knew it, they did not show it. They hid their youth. Not sewn on their sleeves like the row of brass buttons, not askance on their heads like the required cap. Their anger, their grief, their love for one another, for their families and—they kept that all inside when accompanying a convict. They dealt the hand justice, and justice was aloof to all.
They were five because five was a good number. One, a gangly lad who walked with a rhythm, carried the lantern. Two, the youngest at sixteen and one month, carried the ropes. Three was a dreamer who wished to someday leave the job behind. While he was on the job, though, he held the position of messenger and held it well.
By appearances, Four served the purpose of brawn. But One, Two, Three, and Five knew he had the softest heart of the three.
Five was the leader. He was the oldest, a boy of eighteen—and some speculated that was why he was leader. He was the most levelheaded, a boy of cool disposition—and perhaps that was why he was leader. Above all, he was skilled with the rifle—probably why he was leader.
Today, they had pinned down their caps guard themselves from the wind. Two brought the rope to tie the convict’s hands, but when the girl held out her wrists, face turned to the side, the boy faltered.
“Give me that,” said Five curtly, and took the rope himself. He tied her wrists, gave the other end of the rope to Two, and pulled out the sentence scroll from the inside of his coat. The parchment crackled as he unrolled it, but it could hardly compete with the howl of the wind. Five began to read:
“The spoken word of Ribar of Bluewillow has been corroborated by physical evidence.”
The villagers absorbed his calm words in silence.
“The taken shall repent through death by firing squad at the center of the land on the fifth day of the new quarter.”
Five looked up from the parchment in his hands. He swept his gaze around the curve of the circle, its circumference trembling in the squall. “We are the dealers of justice,” he announced.
“We are the accomplices of justice,” the men and women in brown murmured in return.
Two tugged lightly at the rope to gesture to the girl of their departure. “It’s a long walk,” he warned, seeking her face for a shred of fear.
Her eyes, colorless yet dark, flitted to his face before dropping to her boots.
One swung his lantern to point north, but not before flashing a grin at the young ladies in the circle. Three joined One on his right, the two of them close on the heels of Five, who rolled up the parchment. Two and the girl, connected by the trembling loop of rope that hung between them and braved the wind, followed One and Three. Four brought in the rear.
At the sound of Four’s solid footsteps, Five turned around and gave his men a brief glance, making sure that all, including their subject, were accounted for. Beyond the strong line of Four’s shoulder his eyes went on, absorbing the townspeople. Small and ordinary they stood, quivering, as fleeting and frail as the hundreds of other townspeople in hundreds of other towns. Yet he swept them all in, passing over the old lady with the flyaway white hair, a breath of color against all that brown. His eyes landed on the bundle in the kind-faced woman’s arms.
Unknowingly, the woman shifted her stance. A corner of the blanket slipped from its tented fold and, disturbed by the wind, was left fluttering, creased under the soft moon of the baby’s cheek.
At that moment, the porcelain creature opened its eyes, breathtakingly colorless like its mother’s.
Five turned around. “Let’s go,” he muttered beneath his breath.
They began to move, then as the lash of the wind began to leech the feeling from their faces, they picked up pace. The long, shriveled grass paved the path before them while the baby’s cries paved the path behind.

Thanks for reading! All comments/feedback are greatly appreciated! And I'm also open to questions :) Lastly, sorry for being absent recently from this blog/the blog-world. I have a lot of catching up to do and I'm expecting that I'll be less busy come October.

Friday, August 16, 2013

Retreat From the Query Trenches--Round 1


If you've been following this blog, then you probably remember me dropping the name of my second completed manuscript every now and then. INGENICIDE, a YA light scifi (and yes, you can find all the info under my NOVELS tab :) ) was my savior. Seriously. I procrastinated from highly stressful real life activities to write it. I thought about it every second of the day. I dreamed about it. I'm pretty sure I annoyed the crap out of my friends talking about it.

INGENICIDE was also my teacher. It taught me how to revise (MS#1 couldn't and is still gathering dust in the drawer). It urged me to find critique partners. It pushed me into the critique forums, to revise, revise, revise my query. And revise again.

Yes, it forced me to write the dreaded synopsis. Post on that later, because oh do I loathe the synopsis.

Just last week, I received a rejection on a full that I was feeling sort of good on. Which is okay, because that's happened before and I was prepared. I closed the email and marched right to QueryTracker to prepare another round of queries. Apparently, I cope with rejections by sending more queries.

I can't use QueryTracker without Carissa Taylor's handy dandy compilation of YA agents, so I pulled that up, too. As I was marking down agents and heading over to websites, I suddenly realized something:

I was no longer excited to query.

That may not sound weird, but it was to me. I wouldn't say that querying is fun, exactly, but it is exciting and exhilarating and nerve-wracking to do so. I liked querying. And now I didn't.

Why wasn't I excited? I tried to find the reason.

It turns out that I'd exhausted my list of agents that I'd love to work with and was beginning to just "settle." The search process was becoming increasingly like this: Agent reps YA? Onto the list. 

At first, I didn't see anything wrong with this. In fact, I was more scared of not querying every single agent that I possibly could, in case I missed some opportunity. But sitting there at my desk and staring at the agent compilation list, it dawned on me that I'm NOT just seeking representation for INGENICIDE. I'm seeking representation for myself as an author. I'm seeking representation for this work and many more to come.

I couldn't just "settle."

So now I announce my decision: I will be retreating with INGENICIDE from the querying trenches. Currently, I still have queries, partials, and fulls out, and I will wait to hear back on those. However, I will not be actively querying anymore for this manuscript. If you were curious, here are my stats:

79 queries

4 partials

5 fulls

And more rejections than I can count. 

While this may seem like a sad post, it really isn't. MS#1 was my training wheels. MS#2 was the bike that took me on many adventures and taught me so many lessons. Ultimately, it didn't deposit me at my destination, but what does that matter? If anything, I'm now armed with experiences that not even rejection can take away from me.

On another positive note, I wrote IF LIFE WERE FAIR while querying INGENICIDE so that my inbox wouldn't drive me insane. Turns out that insanity prevention methods are quite rewarding because now I can prepare to dive back into the trenches soon. If I had to choose ONE piece of advice from this whole learning process, it is this: Write. And keep writing. Write when you are querying, because it'll really make the time fly by faster and at the end, you'll have a brand new MS to flourish (before getting dirty in revisions, that is). You are a writer before you are an author. 

Have you ever had to "shelve" a novel and if so, what made you decide to? Thanks for reading guys! It's funny thinking back to when I first started this blog, when INGENICIDE was still fresh off my fingers. I say this again and again, but the writing community is seriously the best of the best of the creative folks. 

Friday, August 9, 2013

My Favorite (YA) Books

Still seeking readers for my NA Contemporary, IF LIFE WERE FAIR.


For some reason, I don't have this post up when it was actually when of the first post ideas I had come up with. And so I (UBER-EXCITEDLY--who doesn't love books?) present to you:

MY FAVORITE (YA) BOOKS
Disclaimers: *I won't be including any of the mega popular books (Harry Potter, The Hunger Games, Twilight, you get the gist). If you really want to know, Harry Potter is REALLY up there on my fantasy list, The Hunger Games is one of my favorite dystopians, and Twilight is...okay. It did introduce me to paranormal before the fever set in, so I'll give it that. 

**I'll be trying to post only genres that I've read at least semi-widely in so that I can provide an educated nomination.

***Some genres might have multiple nominations because who said that there has to be limits on cream of the crop?

****There will be NO SUMMARIES. Or else this post will eat your computer. I recommend Goodreads if you're interested in learning more!

*****MOST IMPORTANTLY, all of the following are purely base on my opinion! Please don't take personal offense if I don't nominate one of your favorite books in a genre--instead, comment below and tell me what you think should have been nominated! A 60% chance I've probably read the book.


Fantasy - Urban
PERCY JACKSON AND THE OLYMPIANS series (MELTING POT)
BY RICK RIORDAN

MG or YA--I don't care because what can I say? The dialogue, the snarking characters, the humor, the mythology (and really, if I want completely accurate mythology, I'll go read a textbook) all come together into something that is utterly un-put-downable. 



THE SPACE BETWEEN (BEST VIBE+ORIGINALITY)
BY BRENNA YOVANOFF

I said I wasn't going to give summaries but I can't help but pitch this: the daughter of Satan and Lilith comes down to Earth and with the help of a suicidal boy, tries to find her brother. Really, I've never read anything REMOTELY like this, not in plot nor tone nor character. The Space Between is an indulgent mix of horror, mystery, fantasy, and romance.




Fantasy - Hardcore
THE PRINCESS ACADEMY (BEST COMING OF AGE)
BY SHANNON HALE

Don't be deceived by the pretty cover! Or the title! This book has a beautifully crafted plot and complex characters that will stick with you for ages (I read first read this in 5th grade and I still remember EVERYTHING that happens). The main character is 14, so I guess it could also be shelved as middle grade, but I my opinion it's a YA coming-of-age story with a fantastical world and customs that resonate with you. 


Scifi - Dystopian
UNWIND (WINNING CONCEPT)
BY NEAL SHUSTERMAN

Holy-moly. The concept of this! Instead of the option of abortion, parents can have their children "unwound" (which basically equals each and every body part and organ getting shipped off to someone in need) at age thirteen? At first glance, this sounds ludicrous, but once you think about it, you can start to see the argument for WHY "unwinding" is better than abortion. Doesn't mean you have to agree with it! But that's what's great about the book--it really, really makes you think. 

BIRTHMARKED trilogy (WINNING AURA + MALE CHARACTER)
BY CARAGH O'BRIEN

EXTREMELY underrated series. First off, sort of unrelated, but Caragh is one of the FRIENDLIEST authors I have ever met. Not just for emails--comment on her blog and she'll be SURE to reply back with an insightful response! But onto the books. The world-building is solid, the writing is full of life and color (really well-done 3rd POV!), but what really steals the show is Leon, the romantic interest. Seriously, I don't think I've ever read a character this fleshed out, so flawed and yet so redeemable. 
CHEMICAL GARDEN trilogy (WINNING AURA + WRITING)
BY LAUREN DESTEFANO

Now, in the book world, The Chemical Garden trilogy is one of those series where you either love it or hate it. For me, I understand that there are world-building flaws and that there are some weak characters (just as there are strong ones). But this series continues to steal a soft spot in my heart simply because of the aura--or mood--that it's lyrical, breathtaking yet humble, writing creates. I can FEEL the gloom of this futuristic world, even with some world-building holes. I can taste the saccharine opulence, smell the smoke. Lauren DeStefano is an author whom I will follow simply for her writing. 

Scifi - Hardcore
ENDER'S GAME (PERFECT MIX OF CHARACTER + PLOT-DRIVEN)
BY ORSON SCOTT CARD

Here's a book that I think deserves to be on school reading lists. Here's a book that I think that everyone should have in their repertoires, author personal-beliefs aside. Sure, it's a great read for those hardcore scifi lovers out there (space, aliens, battle-training school--what more is there to have?), but it goes deeper than that. Ender's Game, as straightforward as the writing is and as interesting but simple as the plot is, offers a deep, psychological perspective on childhood, growing up, and relationships. Think of it as a spice. The undertones are all there. 

Speculative - Post-apocalyptic 
HOW I LIVE NOW (POSSIBLY MY FAVORITE BOOK OF ALL TIME)
BY MEG ROSOFF 

Proves my theory on how shorter books (Of Mice and Men, The Great Gatsby) are often mind-shockingly brilliant. I picked this up from my decrepit library two summers ago and still get shivers when I think about it. It really is a simple story. Girl goes to countryside England to live with her cousins, World War ??? breaks out. But the characters...oh the characters. And not even that. This book is like chocolate. It's sweet and bitter, and yet there's so much more to its flavor than that, flavor that I just can't describe. 

LIFE AS WE KNEW IT (MOST REALISTIC/BEST DIARY-STYLE)
BY SUSAN BETH PFEFFER

A little less underrated than How I Live Now, but still underrated :( Seriously, this is one of the best post-apocalyptic survival tales out there because it's SO real. Yes, despite its inciting incident being that the moon blows up in our faces, the characters and their struggles were tangible. This is also one of the best diary-style books that I've ever read. Miranda, our narrator, isn't really likable, but you have to admire her for the hell that goes down in this story. 


Paranormal
A CERTAIN SLANT OF LIGHT (BEST GHOST STORY)
BY LAURA WHITCOMB 

I've read all the walks of paranormal (super/psychic powers, angels, demons, vamps, trolls, faeries, as so the list goes) and many ghost stories. The problem is that a lot of them blend into each other and then I can't remember any of their plots with much distinction. But A Certain Slant of Light? Oh, I wish it never ended. Theme-wise, it's more contemporary than paranormal, but that's really what makes it so great. The romance...possibly the best couple in the universe of paranormal. And the writing is a treat. In fact, this is one of the most literary YA's (not even just within the paranormal genre) that I've ever read. 

Contemporary
HOW TO SAVE A LIFE (BEST SLICE OF LIFE)
BY SARA ZARR

Now, of all the genres, I had the hardest time picking my favorite for Contemporary because for me, at least, Contemporaries are quiet, thoughtful sort of books. From John Green to Sarah Dessen, they leave me sort of depressed (in a good way!) after reading because they all leave a mark. However, my FAVORITE of all the Contemporary authors is Sara Zarr. Her writing is fantastic, her characters are real, and her plot conflicts are twisty but still fathomable. How to Save a Life is no exception. 


Historical 
BETWEEN SHADES OF GRAY (BEST STORY + SIDE-CHARACTERS)
BY RUTA SEPETYS

I mentioned this title once and someone confused it with FIFTY SHADES OF GRAY. Probably the worst mix-up in the world. Between Shades of Gray is one of the most moving tales of human compassion and strength, based on the events of the deportations of the Baltic States orchestrated by the Soviets during WWII. Yes, a new angle on all the atrocities of WWII! I saved this for last because I THINK that my favorite genre might be historical fiction, but sadly there just isn't that much out there in the YA world. However, keeping in mind that less can be more sometimes, I am wholly satisfied with gems like Between Shades of Gray to represent the YA Historical Fiction sector!

This is one of my harder posts just because there are SO many awesome books in each of the aforementioned genres that I would love to nominate. However, keeping in mind that reading (and writing) is such a subjective business, a lot of these nominations are based on the gut feeling I have when I think about these books. Just as I had fun writing this, I hope you had fun reading! I'd LOVE to hear of your (dis)agreements/nominations, so please comment below!

Thursday, August 8, 2013

Call for readers (and I will accept my limits)

***BEFORE YOU READ, DISCLAIMER!!! I am not breaking up with any existing or pre-promised partnerships. So no fear!***



Back when I was young and editing INGENICIDE (haha, just kidding!), I honestly wondered how the heck was I supposed to get people to read my MS? Therefore, whenever anyone offered, it felt just as exhilarating as...getting a full request. So in order to show my appreciation, I'd offer to swap, because why should I expect someone to read my MS without giving something back in return?

Slowly, it's beginning to dawn on me that I can't do that anymore. Between life, reading the works of my critique group, writing my own stuff, and trying to catch up on those MS's that I'd promised to crit, I have to come out honestly and say that I've bitten off more than I can chew. As much as I try to be an infallible, generous critter, I've realized that I can't continue to let this image get in the way of my actual abilities. Not only is that stressful for me (because I want to be able to read all the MS's in the world and I want to crit every single one), more importantly it's not fair to those whom I have promised a critique swap, who have to wait months and months without any feedback.

No longer can I promise to keep to the critique for a critique system. And I apologize profusely for that. I wish that I didn't have these limits because I owe so much to each and every person who takes the time to read my writing. Because without all of you, I wouldn't have improved as much as I have.

Because of my respect for all of you, I can't keep on overestimating the extent of my abilities.

Thinking all of this through has helped me come to terms with the fact that I can't maintain a critique partnership with everyone (although I'd really, really love to), that I have to accept the fact that there are simply readers out there who just want to enjoy the MS and do not expect a critique in return.

And so I now I post my call for all beta readers interested in reading and providing oh-so-helpful feedback on the second pass of my newly finished MS, IF LIFE WERE FAIR.

Genre: Upper YA/NA Contemporary (with medium romantic element)
Word Count: 58,000
Status: Complete--version 2
Query:


Idle from her gap year before college and cynical from running the hamster wheel of binge eating and exercising, eighteen-year-old Bernie Lisel receives an ultimatum from her mother: get a job or lose the credit card. 

Easier said than done.

Waitressing at the fancy French bistro in Manhattan is just what Bernie doesn’t need on her plate. But in the name of money to supply her binges, she’ll take it. Even if that means installing an edit button on her perpetually snarking mouth and trying not to mix up vanilla cream and tartar sauce. Gradually, Bernie learns the ropes and begins to bond with a crew of optimistic and quirky coworkers. And then there’s Luke Wells, assistant chef and a sophomore at Columbia. Selfless and diligent to a fault, he might also be the best listener to people's problems in the entire universe. Perhaps that’s why Bernie feels equal parts exposed and guarded around him.

But when Luke is diagnosed with stage III stomach cancer and refuses treatment, Bernie suddenly discovers that she’s not the only one with a secret to keep. Putting aside her eating disorder to help Luke with a turbulent family past, she orchestrates a journey to his home state of Montana. As the 2,400 miles whittle down, the last question on Bernie’s mind is of her own recovery. She only wonders if she can accomplish for Luke what she never could for herself—breaking the self-fulfilling cycle of resignation.


If you are interested, please comment with your email OR email me at joanart6 AT gmail DOT com. And if I haven't said this already, seriously, you guys are the best. I'm sorry for this being such a downer post. If you do decide that you'd like to be a beta for ILWF, I really appreciate it. I completely understand how busy everyone is, which is why the writing community continues to surprise me with its awesomeness. 

Thursday, July 25, 2013

Post-manuscript completion thoughts

After two months of flying through the beginning, waddling around the sticky middle, and sprinting full-speed to the finish line, I have finally completed MS #3!!* For the super rough blurb, check out the my NOVELS tab and scroll to IF LIFE WERE FAIR. 

This was me post-completion. Don't you love my alter persona? 


I had a lot of fun writing this one because the main character had a very strong personality and naturally I spent a lot of time in her head as the novel is from first person POV. Surprisingly, the the writing process was different from MS #2, INGENICIDE. I know you're thinking well, Joan, you're writing a different novel for one, not to mention in a different genre. Of course the process is going to be different. And I understand that, but at the same time I had thought that the overall feel would be more or less the same, given the method I used for INGENICIDE was successful, as in I actually finished it and thought to myself: hey, this doesn't suck too badly!

Now in retrospect, I can see how writing IF LIFE WERE FAIR turned out to be a different experience than INGENICIDE. Firstly, I wrote INGENICIDE (65k) over the course of four months at the pace of a consistent plod. That means I had more time to afford non-writing days, days when I'd wait for some inspiration to strike (guilty!). In contrast, IF LIFE WERE FAIR (58k) is the product of a two month writing frenzy (which is still is far from the Nano pace, but it was a lot of me--I'm a slowish worker :). Why? Well, I still feel kind of sad for missing the dystopian bandwagon for INGENICIDE  so this me trying to catch the wagon for upper YA/NA before I miss it and fall face-flat in the dust.** But that's beside the point. The point is that I didn't have the luxury of losing too many writing days with IF LIFE WERE FAIR.  Which is probably why there were points in the story where I practically had to force myself to muscle through, not so much because they boring, but because I only have so much juice in me for a day. I've always been able to squeeze out some juice, but this was wringing. 

Secondly, I wrote in a completely different style for IF LIFE WERE FAIR as compared to INGENICIDE.  My CP's noticed this, and I, too, was aware. Bernadette, the MC in IF LIFE WERE FAIR has a lot of emotional baggage and is trying to rescue a personality that has been warped by her eating disorder. As a result, the syntax, word choice, and tone of every sentence in IF LIFE WERE FAIR were stark contrasts to the minimalistic and artistic voice of Sibyl, the MC from INGENICIDE. I had no idea how much this would influence the writing process! There were days when Bernie, oh-so-moody, just wouldn't speak to me. 

And lastly, writing the ending to IF LIFE WERE FAIR was just as exhilarating, but more taxing, than writing the ending to INGENICIDE  This is probably due to the fact that I worked myself into a last leg writing sprint and whipped out 8k in one night. The emotional impact of watching all of the story simmer down before my eyes in the matter of hours was unbelievably thrilling and sad.*** The reason why I was able to write this much at once for the end of IF LIFE WERE FAIR and not for INGENICIDE is because I had a clear idea of how I wanted IF LIFE WERE FAIR to end even before the halfway point of the story. That made the road leading up to the finale much easier to navigate.

All in all, writing IF LIFE WERE FAIR was neither easier nor harder than writing INGENICIDE, even though I had more experience under my belt. Regardless, I had a blast watching my characters come to life and weaving a theme and voice throughout the novel. Currently, I'm letting it rest for a bit before diving into revisions. Meanwhile, I'm so excited to start on this shiny new idea that popped to me during the sticky middle of IF LIFE WERE FAIR  A post will be up for that soon, and I'll be adding it to the NOVELS tab.

For those of you who have written more than one MS, did you find the general "writing experience" changed (outside of genre related differences) from one MS to the other? 

----------------------------------------------------------------------------------------------------------------------------------

*I think I might have carpal tunnel? I have an ache going from my right pinky down the side of my palm?!

**I don't believe in write the next trend. I DO believe in timing. If it just so happens that what you are currently writing might be garnering interest in the publishing world, well, why not try to seize the opportunity?

***I went to bed at 2AM and couldn't fall asleep for an hour because my head was buzzing with the story-residue. Plus, it was thundering like the end of the world. I had planned to brew myself a massive cup of coffee the next morning, but we lost power :( Needless to say, I was a zombie for the rest of the day until my awesome friend supplied me with chocolate and gingersnaps. Who says sugar isn't a remedy?